Column
On Empathy
Notes on what a conductor is actually for.
A conductor makes no sound. Everything that reaches the audience comes from the people on stage, so the work is, first of all, an act of empathy: understanding what each player needs in order to give their best, and then getting out of the way.
The same is true of the score. To interpret a piece is not to impose an idea on it but to listen for what the composer was reaching for, and to find that reaching again in the present tense, with these musicians, in this hall, tonight.
And it is true of the audience. A performance is not something delivered to a room; it is something a room does together. When it works, the breath of the orchestra and the breath of the listeners become one thing. That is the moment I work toward.
— Eric B.J Kim



